Art

Brian Goldstone’s There Is No Place for Us is a deeply reported nonfiction book about the rise of “working homelessness” in America: families who have jobs, income, and ambition, but still cannot secure stable housing. The book focuses on five families in Atlanta, a city often seen as a center of Black opportunity and economic growth, but also one increasingly shaped by gentrification, rising rents, weak tenant protections, and shrinking access to affordable housing.

Goldstone follows families who are not always visible in official homelessness counts because they may be living in extended-stay motels, cars, overcrowded apartments, or temporarily doubled up with relatives and friends. These families are not outside the labor market. They are working as cleaners, hospital employees, service workers, students, caregivers, and parents. The central argument is blunt: employment alone no longer guarantees housing security in many American cities.

Through immersive reporting, the book shows how quickly a family can fall from instability into homelessness. A rent increase, an eviction filing, a denied application, a broken-down car, a sick child, or a bureaucratic delay can unravel everything. Goldstone also examines how systems meant to help often fail: housing vouchers are difficult to obtain and even harder to use, landlords can refuse or screen out tenants, and public definitions of homelessness often exclude families who are clearly living without a secure home.

The book’s power comes from its human scale. Goldstone does not treat homelessness as an abstract policy issue. He follows parents trying to protect their children, workers trying to hold onto jobs while moving between temporary places, and families trying to preserve dignity in a system that keeps pushing them out. Atlanta becomes a case study for a national crisis: the collision of low wages, high rents, racial inequality, speculative real estate, and underfunded public housing.

The larger message is that homelessness is not only about mental illness, addiction, or unemployment, which are the stereotypes often attached to the issue. It is also about ordinary working families being priced out of the basic stability required to live, work, study, and raise children. Goldstone argues that these families have been made invisible because their homelessness does not always look like street homelessness, but their crisis is just as real.

Ultimately, There Is No Place for Us is both a narrative of individual families and an indictment of a housing system that treats shelter as a market commodity rather than a basic human need.

There Is No Place for Us: Working and Homeless in America

Overview
Project Website
Duration
Permanent
Artist
Brian Goldstone
Other Involved Parties
Penguin Random House